First year MA student’s Interim display at the Camberwell College of Arts Postgraduate Summer Show 2016

UAL_MAVA_CCA_PGshow2016As the summer heats up (well, we can hope) the graduate and post-graduate shows are happening all over the country. If you want to be amongst the first to see the most exciting new talent emerge, pop-in to see the  University of the Arts London’s (UAL) freshest graduates open up their work to the public. Visit the UAL summer shows – a series of free art, design, fashion, communication and performance exhibitions taking place across London.

Of particular personal interest are the up and coming artists and designers of tomorrow at the Camberwell College of Arts Post-graduate Summer Show, featuring work by graduating students from the MA Visual Arts courses:

Sharon Low is in the first year of the MA Visual Arts in Printmaking at the Camberwell College of Arts. MA Book Arts and MA Printmaking first year students are putting together an “interim display”, to give visitors a taster of the MA projects they are each concerned with.

The Private View is on Thursday 14 July 2016, from 6pm – 9pm.

The show is then open to the general public:

Friday 15 July – 10am – 8pm
Saturday 16 July – 11am – 5pm
Sunday 17 July – Closed
Monday 18 July – 10am – 8pm
Tuesday 19 July – 10am – 8pm
Wednesday 20 July- 10am – 8pm

Visit the UAL website for more information.

 

 

 

Be nice to your portrait artist…

In a lesson to sitters to be nice to their portrait painters, renowned British portrait artist, Daphne Todd, discussed hidden meanings and items that portrait artists have put in their paintings, when speaking on a recent episode of BBC Radio 4’s “Today Programme”.

From the shadow of Monica Lewinsky’s dress in the recently unveiled Nelson Shanks portrait of President Clinton, conversation moved to the horns that Todd admitted will appear above someone’s head in years to come in one of her own works.

David Sanderson in his Times’ article entitled: “Top portrait painter takes devilish revenge on rude sitter”,  joked the “x-ray machines are being ordered. Just where are those devil horns?”

Daphne Todd was the first female president of the Royal Society of Portrait Painters and a winner of one of the most prestigious art prizes in the world, the BP Portrait Award. She is regarded as one of the UK’s leading portraitists, and she has painted some of those from “the upper echelons of nobility, academia and the arts world”. On the BBC programme she confessed that hidden underneath the hair of one of her subjects lies a “devilish surprise” that will make clear her dislike of the man when it is eventually revealed.

Daphne Todd said she this came about when she decided “to wreak her revenge on an ‘obnoxious young gentleman’ whose portrait she had been commissioned to paint”. She said:

“I painted a pair of horns… I painted hair on top but in future years these horns will bleed through… He was rude really… I had a four-hour round trip over the Christmas period in the early hours of darkness to get there for first light. And then they can’t be bothered to get out of bed.”

However, she refused to reveal who this notorious person was, laughing: “Oh, I would not do the dirty on them… That’s not right.” Daphne Todd did admit that it would all be revealed, in time:  “It may be 50 years or 100 years, who knows. But they are there if you x-ray it.”

When further questioned,  the artist did provide some clues, that it was: “at a time when she could not afford to walk away from a commission,” it was a “young gentleman”, who, at least at the time of the sitting, had hair.

Todd’s biographer, Jenny Pery, recalled a conversation with the artist when she spoke of an difficult unknown sitter, part of a double portrait so the portrait in question could be of a husband and wife. “She was travelling a lot for the portrait,” she said of Todd’s journeys to paint the “devil”.

Daphne Todd further added:

“They can jolly well turn up on time. It is just extremely bad manners. A lot of people treat portrait painters as tradesmen but quite often they are serious artists of extraordinary national importance.

“I think people should treat their portrait painter properly… We have got little powers that we can deploy.”

This all follows in the rich historical tradition of hidden messages in art: Jan van Eyck’s The Arnolfini Portrait hides a tiny figure, presumably the artist, waving back at the viewer.  Famously, Hans Holbein the Younger continues the discussion by his placement of a memento mori at the feet of The Ambassadors: when viewed from high on the right side of the picture or low on the left side, the image is clearly a anamorphic perspective depcition of a skull.

Shortly after Daphne Todd’s confession of her own little artistic subterfuge, another portrait painter, Mark Roscoe, admitted to including one himself in the painting of Bill Oddie, the TV wildlife presenter: it was “the shadowy form of a bird – a long-tailed tit – with its name in Latin alongside, in a pointed reference to the television presenter supposedly being long in the tooth”.

David Lister, in the Independent, stated:

“My experience with the brilliant, if now notorious, Daphne Todd taught me that there are artistic imperatives for the sitter as much as for the painter in portrait sessions.

“First, avoid falling asleep, which can be surprisingly tricky when you are sitting still for three hours at a time. It might appear a little rude.

“Second, only speak when you’re spoken to. Artists aren’t keen on their concentration being interrupted.

“Third, realise that all questions put to you are all a subtle part of the artistic process, and your answers, both in tone and content, will somehow inform the finished work.

“Lastly, if you are in their studio, be aghast at the astounding talent the works on the walls show.

“Otherwise, like the “young gentleman” and Bill Oddie, you might end up being punished for posterity.”

Further reading

Related artist’s websites

Royal Society of Portrait Painters 2014

I was just in time to catch the recent Royal Society of Portrait Painters Annual Exhibition 2014 at the Mall Galleries before it ended. As expected, I was impressed by the high calibre of all the artists.

I was particularly looking forward to seeing paintings by artists and friends I admire, such as Sarah Jane Moon, Bulldog Bursary Prizewinner 2013-2014, with her portrait of Dr Laura Bridgeman and Flora Watson, who was Winner of The £3,000 de László  Foundation Award for artists 35 years and under with “Studio 26”.

 

 

 

 

 

 

 

 

 

 

Also much anticipated were paintings by Hero Johnson and Ian Rowlands, with their portraits of each other that were also featured in recent editions of the Artists and Illustrators magazine; and a host of others, some of whom I’ve pasted images from below and which can still be viewed on the Heatherley School of Art blog.